Gibney Firm returns to Joyce for fifth season

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Through four choreographic voices, the program traces human connection, ritual, repetition, intimacy, and awakening, carried by the luminous physicality and technical precision of Gibney Company’s dancers, and shaped by the company’s unrelenting focus on artistic excellence and social integrity.

On Contemplation of Wailing is a new work by Jawole Willa Jo Zollar, a meditation on loss and collective resilience. Developed in close collaboration with the ensemble, the piece explores how individuals and communities hold grief, tradition, and renewal through the body. The score, composed in real time during the creative process by composer and former dancer Jordan Davis, blends classical and jazz influences, bringing a physical and emotional sensibility that mirrors the dancers’ own experience of connection, rupture, and repair.

“Gibney Company exists to create work where rigor and humanity meet,” said Gina Gibney, Founder, Artistic Director, and CEO. “Bringing Jawole into the room with our dancers has been a powerful reminder that creation is not just about steps on a stage, it’s about listening, witnessing, and building something together that reflects the world we are living in and the world we are trying to imagine.”

Following the organization’s recent announcement of a five-year partnership with Resident Choreographer Lucinda Childs, Canto Ostinato (2015) returns as a hypnotic and intricately structured work set to the minimalist score by Simeon ten Holt. Marked by walking patterns, low jumps, and tightly woven formations, the choreography reveals shifting rhythms and spatial architectures that demand both precision and deep musicality from the dancers, unfolding in a luminous interplay of movement and light.

Silent Tides (2020) by choreographer Medhi Walerski offers an intimate duet reflecting on presence, vulnerability, and the subtle currents that pass between people. Created during the pandemic, the work invites audiences into a quiet space of reflection shaped by touch, pause, and emotional resonance, with partial female nudity underscoring the piece’s raw physical and emotional exposure. Originally commissioned by Netherlands Dans Theater and performed internationally with Ballet BC, the piece features an original composition by Adrien Cronet alongside Bach’s Violin Concerto in A Minor, BWV 1041.

The program concludes with Vukani (2024) by South African choreographer Mthuthuzeli November, commissioned by Gibney Company and premiered in Québec in 2024. Rooted in traditional Xhosa dance, often characterized by percussive gestures such as hand clapping, foot stamping, and upper-body vibration, the work blends street, ballet, and contemporary movement to reflect a grounded, rhythmic physicality. Meaning “to awaken,” Vukani explores communion with elders, spiritual guidance, and the body as a vessel for collective memory and transformation.

“The diversity of this program speaks to the collective voice that defines Gibney Company,” said Gilbert T. Small II, Company Director. “Bringing together works by these four celebrated choreographers in a single evening affirms the company’s extraordinary range and its sustained commitment to engaging in multiple artistic perspectives.”

The Gibney Company’s Joyce season will take place April 8–12. The season opens with a gala performance on Tuesday, April 7 at 6:00 PM, featuring an abbreviated performance followed by a seated dinner at the Altman Building.